Clara Jacquemard
Franco – German, Vienna based videoartist. She graduated in Journalism and Communication at the University of Vienna, attended the European Film College/Denmark and is currently compliting her MA in Mediaculture and Arttheory at Kunstuniversität Linz. Her artistic practice occurs at the intersections of video and performance art. Working within a social science framework, she explores the perception and representation of marginalized bodies and investigates social constructs. Her recent endeavors, such as the interdisciplinary collective Feldarbeiter*innen and OABYTE – Art Association for Solidarity in Work OABYTE.org, explore the dynamics of modern working environments and the issues surrounding them.
DATENDIEBIN, radio work, 49min, stereo, 2026
Feldarbeiter*innen im Kollektiv mit Elisabeth Falkinger, Veronika Persché, Johanna Schlömicher, Petra Sturm;
Supergau Festival 2023, Traktor. Strick. Techno. Performance Thomatal/Salzburg
Ö1 Art’s Birthday 2025, Performance Radiokulturhaus/Wien
Upscoring my father, What appearance conveys leadership skills? found footage, 5min, VHS to digital HD, Stereo (AT 2022)
PIANO DECONSTRUCTED, Video and Performance, 11min, 4k, stereo, 2021
Blöder Dritter Mittwoch/Akademietheater
Under the Radar Filmfestival Vienna
SCHAFSCHLACHTUNG Video installation, 4k Video, 6min, 2022 and Documentary film, 4k Video, 32min, 2023 for the Symposium IV / Kunst & Ökologie, Lindabrunn /DIE WILDEN SIND WIR
Das Christinkind vor der roten Tür, Documentary 17min, HD, stereo (AT 2013). Regie: Clara Jacquemard & Christine Schmölz; In collaboration with the Emancipation and Partnership Working Group (Innsbruck) and Christine Nagl (PiA Project, Salzburg)
